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Frank Holl: Emerging from the Shadows

Paperback |English |178130016X | 9781781300169

Frank Holl: Emerging from the Shadows

Paperback |English |178130016X | 9781781300169
Overview
Mark Bills is Curator of Watts Gallery, formerly Senior Curator of Paintings, Print and Drawings, Museum of London and Visual Arts Officer at the Russell-Cotes Art Gallery and Museum, UK. He has written widely includingG.F. Watts Victorian Visionary: Highlights from the Watts Gallery Collection(2008),The Art of Satire: London in Caricature(PWP, 2006), andWilliam Powell Frith, (co-editor and author, 2006), as well asArt in the Age of Queen Victoria: A Wealth of Depictions(editor and author) andA Victorian Salon(editor and author). He has written numerous articles on eighteenth- and nineteenth-century British art for books and publications includingLondon: The Illustrated History,Burlington Magazine,ApolloandPrint Quarterly.Peter Funnell is Curator of Nineteenth-Century Portraits and Head of Research Programmes at the National Portrait Gallery, London, UK. Since joining the NPG in 1990 he has curated many exhibitions and led major projects ranging from the redevelopment of the Gallery's first-floor displays to directing the research of 10,000 portrait illustrations for the Oxford Dictionary of National Biography of which he is a Consultant Editor.Jane Sellars is Curator of Art at the Mercer Art Gallery, Harrogate, UK has written widely about women and art. Formerly Education Officer at National Museums Liverpool and Director of the Brontë Parsonage Museum, author of several books on the Brontës, includingThe Art of the Brontës, (with Christine Alexander, 1995), andWriters' Lives: Charlotte Brontë(1997). ForWilliam Powell Frith: Painting the Victorian Age(2007) she looked at the role of women in Frith's personal and professional lives. Jane Sellars was the main contributor and editor forAtkinson Grimshaw: Painter of Moonlight(2011), published by Harrogate Borough Council to accompany the award winning exhibition of the same name.Barbara Bryant is an Art historian, writer, and consultant specializing in the work of G.F. Watts. She wrote the exhibition catalogueG.F. Watts Portraits: Fame and Beauty in Victorian Society(2004) andG.F. Watts Victorian Visionary: Highlights from the Watts Gallery Collection(co-editor and author, 2008). She was a major contributor to the exhibition The Age of Rossetti, Burne-Jones and Watts: Symbolism in Britain 1860–1910 at Tate Britain in 1997, she is the author of the forthcoming Oxford Dictionary of National Biography's entry on Watts, as well as other articles and essays on the artist and on eighteenth- and nineteenth-century British art.Philip McEvansoneya is Lecturer in the History of Painting at Trinity College, Dublin, Ireland. His research interests are in aspects of the history of art in Ireland and Britain with particular reference to the history of collections and the history of institutions. His PhD concerned the work of Frank Holl and Luke Fildes. He has published widely including articles inBurlington MagazineandJournal of the History of Collections.Mary McMahon is Curatorial Fellow at Watts Gallery. She has an MA in Design History from the Royal College of Art, and a BA in Art History from University College London, UK and has spent two and a half years studying at the V&A;, one and a half working at the National Art Library and two six-month internships at the National Portrait Gallery (Curatorial) and the V&A; (Research).
ISBN: 178130016X
ISBN13: 9781781300169
Author: Mark Bills
Publisher: Philip Wilson Publishers
Format: Paperback
PublicationDate: 2013-09-24
Language: English
PageCount: 168
Dimensions: 8.45 x 0.63 x 10.68 inches
Weight: 31.04 ounces
Mark Bills is Curator of Watts Gallery, formerly Senior Curator of Paintings, Print and Drawings, Museum of London and Visual Arts Officer at the Russell-Cotes Art Gallery and Museum, UK. He has written widely includingG.F. Watts Victorian Visionary: Highlights from the Watts Gallery Collection(2008),The Art of Satire: London in Caricature(PWP, 2006), andWilliam Powell Frith, (co-editor and author, 2006), as well asArt in the Age of Queen Victoria: A Wealth of Depictions(editor and author) andA Victorian Salon(editor and author). He has written numerous articles on eighteenth- and nineteenth-century British art for books and publications includingLondon: The Illustrated History,Burlington Magazine,ApolloandPrint Quarterly.Peter Funnell is Curator of Nineteenth-Century Portraits and Head of Research Programmes at the National Portrait Gallery, London, UK. Since joining the NPG in 1990 he has curated many exhibitions and led major projects ranging from the redevelopment of the Gallery's first-floor displays to directing the research of 10,000 portrait illustrations for the Oxford Dictionary of National Biography of which he is a Consultant Editor.Jane Sellars is Curator of Art at the Mercer Art Gallery, Harrogate, UK has written widely about women and art. Formerly Education Officer at National Museums Liverpool and Director of the Brontë Parsonage Museum, author of several books on the Brontës, includingThe Art of the Brontës, (with Christine Alexander, 1995), andWriters' Lives: Charlotte Brontë(1997). ForWilliam Powell Frith: Painting the Victorian Age(2007) she looked at the role of women in Frith's personal and professional lives. Jane Sellars was the main contributor and editor forAtkinson Grimshaw: Painter of Moonlight(2011), published by Harrogate Borough Council to accompany the award winning exhibition of the same name.Barbara Bryant is an Art historian, writer, and consultant specializing in the work of G.F. Watts. She wrote the exhibition catalogueG.F. Watts Portraits: Fame and Beauty in Victorian Society(2004) andG.F. Watts Victorian Visionary: Highlights from the Watts Gallery Collection(co-editor and author, 2008). She was a major contributor to the exhibition The Age of Rossetti, Burne-Jones and Watts: Symbolism in Britain 1860–1910 at Tate Britain in 1997, she is the author of the forthcoming Oxford Dictionary of National Biography's entry on Watts, as well as other articles and essays on the artist and on eighteenth- and nineteenth-century British art.Philip McEvansoneya is Lecturer in the History of Painting at Trinity College, Dublin, Ireland. His research interests are in aspects of the history of art in Ireland and Britain with particular reference to the history of collections and the history of institutions. His PhD concerned the work of Frank Holl and Luke Fildes. He has published widely including articles inBurlington MagazineandJournal of the History of Collections.Mary McMahon is Curatorial Fellow at Watts Gallery. She has an MA in Design History from the Royal College of Art, and a BA in Art History from University College London, UK and has spent two and a half years studying at the V&A;, one and a half working at the National Art Library and two six-month internships at the National Portrait Gallery (Curatorial) and the V&A; (Research).

Books - New and Used

The following guidelines apply to books:

  • New: A brand-new copy with cover and original protective wrapping intact. Books with markings of any kind on the cover or pages, books marked as "Bargain" or "Remainder," or with any other labels attached, may not be listed as New condition.
  • Used - Good: All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

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Shipping method varies depending on what is being shipped.  

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If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

If you have any questions regarding shipping or want to know about the status of an order, please contact us or email to support@stevensbooks.com.

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Additional non-returnable items:

  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

Items returned to us that were not the result of our error, including items returned to us due to an invalid or incomplete address, will be refunded the original item price less our standard restocking fees.

If the item is returned to us for any of the following reasons, a 15% restocking fee will be applied to your refund total and you will be asked to pay for return shipping:

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  • Item(s) returned to us due to an invalid or incomplete address.
  • Item(s) returned to us that were not a result of our error.

You should expect to receive your refund within four weeks of giving your package to the return shipper, however, in many cases you will receive a refund more quickly. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days).

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We'll pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). In other cases, you will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.

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If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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Overview
Mark Bills is Curator of Watts Gallery, formerly Senior Curator of Paintings, Print and Drawings, Museum of London and Visual Arts Officer at the Russell-Cotes Art Gallery and Museum, UK. He has written widely includingG.F. Watts Victorian Visionary: Highlights from the Watts Gallery Collection(2008),The Art of Satire: London in Caricature(PWP, 2006), andWilliam Powell Frith, (co-editor and author, 2006), as well asArt in the Age of Queen Victoria: A Wealth of Depictions(editor and author) andA Victorian Salon(editor and author). He has written numerous articles on eighteenth- and nineteenth-century British art for books and publications includingLondon: The Illustrated History,Burlington Magazine,ApolloandPrint Quarterly.Peter Funnell is Curator of Nineteenth-Century Portraits and Head of Research Programmes at the National Portrait Gallery, London, UK. Since joining the NPG in 1990 he has curated many exhibitions and led major projects ranging from the redevelopment of the Gallery's first-floor displays to directing the research of 10,000 portrait illustrations for the Oxford Dictionary of National Biography of which he is a Consultant Editor.Jane Sellars is Curator of Art at the Mercer Art Gallery, Harrogate, UK has written widely about women and art. Formerly Education Officer at National Museums Liverpool and Director of the Brontë Parsonage Museum, author of several books on the Brontës, includingThe Art of the Brontës, (with Christine Alexander, 1995), andWriters' Lives: Charlotte Brontë(1997). ForWilliam Powell Frith: Painting the Victorian Age(2007) she looked at the role of women in Frith's personal and professional lives. Jane Sellars was the main contributor and editor forAtkinson Grimshaw: Painter of Moonlight(2011), published by Harrogate Borough Council to accompany the award winning exhibition of the same name.Barbara Bryant is an Art historian, writer, and consultant specializing in the work of G.F. Watts. She wrote the exhibition catalogueG.F. Watts Portraits: Fame and Beauty in Victorian Society(2004) andG.F. Watts Victorian Visionary: Highlights from the Watts Gallery Collection(co-editor and author, 2008). She was a major contributor to the exhibition The Age of Rossetti, Burne-Jones and Watts: Symbolism in Britain 1860–1910 at Tate Britain in 1997, she is the author of the forthcoming Oxford Dictionary of National Biography's entry on Watts, as well as other articles and essays on the artist and on eighteenth- and nineteenth-century British art.Philip McEvansoneya is Lecturer in the History of Painting at Trinity College, Dublin, Ireland. His research interests are in aspects of the history of art in Ireland and Britain with particular reference to the history of collections and the history of institutions. His PhD concerned the work of Frank Holl and Luke Fildes. He has published widely including articles inBurlington MagazineandJournal of the History of Collections.Mary McMahon is Curatorial Fellow at Watts Gallery. She has an MA in Design History from the Royal College of Art, and a BA in Art History from University College London, UK and has spent two and a half years studying at the V&A;, one and a half working at the National Art Library and two six-month internships at the National Portrait Gallery (Curatorial) and the V&A; (Research).
ISBN: 178130016X
ISBN13: 9781781300169
Author: Mark Bills
Publisher: Philip Wilson Publishers
Format: Paperback
PublicationDate: 2013-09-24
Language: English
PageCount: 168
Dimensions: 8.45 x 0.63 x 10.68 inches
Weight: 31.04 ounces
Mark Bills is Curator of Watts Gallery, formerly Senior Curator of Paintings, Print and Drawings, Museum of London and Visual Arts Officer at the Russell-Cotes Art Gallery and Museum, UK. He has written widely includingG.F. Watts Victorian Visionary: Highlights from the Watts Gallery Collection(2008),The Art of Satire: London in Caricature(PWP, 2006), andWilliam Powell Frith, (co-editor and author, 2006), as well asArt in the Age of Queen Victoria: A Wealth of Depictions(editor and author) andA Victorian Salon(editor and author). He has written numerous articles on eighteenth- and nineteenth-century British art for books and publications includingLondon: The Illustrated History,Burlington Magazine,ApolloandPrint Quarterly.Peter Funnell is Curator of Nineteenth-Century Portraits and Head of Research Programmes at the National Portrait Gallery, London, UK. Since joining the NPG in 1990 he has curated many exhibitions and led major projects ranging from the redevelopment of the Gallery's first-floor displays to directing the research of 10,000 portrait illustrations for the Oxford Dictionary of National Biography of which he is a Consultant Editor.Jane Sellars is Curator of Art at the Mercer Art Gallery, Harrogate, UK has written widely about women and art. Formerly Education Officer at National Museums Liverpool and Director of the Brontë Parsonage Museum, author of several books on the Brontës, includingThe Art of the Brontës, (with Christine Alexander, 1995), andWriters' Lives: Charlotte Brontë(1997). ForWilliam Powell Frith: Painting the Victorian Age(2007) she looked at the role of women in Frith's personal and professional lives. Jane Sellars was the main contributor and editor forAtkinson Grimshaw: Painter of Moonlight(2011), published by Harrogate Borough Council to accompany the award winning exhibition of the same name.Barbara Bryant is an Art historian, writer, and consultant specializing in the work of G.F. Watts. She wrote the exhibition catalogueG.F. Watts Portraits: Fame and Beauty in Victorian Society(2004) andG.F. Watts Victorian Visionary: Highlights from the Watts Gallery Collection(co-editor and author, 2008). She was a major contributor to the exhibition The Age of Rossetti, Burne-Jones and Watts: Symbolism in Britain 1860–1910 at Tate Britain in 1997, she is the author of the forthcoming Oxford Dictionary of National Biography's entry on Watts, as well as other articles and essays on the artist and on eighteenth- and nineteenth-century British art.Philip McEvansoneya is Lecturer in the History of Painting at Trinity College, Dublin, Ireland. His research interests are in aspects of the history of art in Ireland and Britain with particular reference to the history of collections and the history of institutions. His PhD concerned the work of Frank Holl and Luke Fildes. He has published widely including articles inBurlington MagazineandJournal of the History of Collections.Mary McMahon is Curatorial Fellow at Watts Gallery. She has an MA in Design History from the Royal College of Art, and a BA in Art History from University College London, UK and has spent two and a half years studying at the V&A;, one and a half working at the National Art Library and two six-month internships at the National Portrait Gallery (Curatorial) and the V&A; (Research).

Books - New and Used

The following guidelines apply to books:

  • New: A brand-new copy with cover and original protective wrapping intact. Books with markings of any kind on the cover or pages, books marked as "Bargain" or "Remainder," or with any other labels attached, may not be listed as New condition.
  • Used - Good: All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

Shipping Fees

  • Stevens Books offers FREE SHIPPING everywhere in the United States for ALL non-book orders, and $3.99 for each book.
  • Packages are shipped from Monday to Friday.
  • No additional fees and charges.

Delivery Times

The usual time for processing an order is 24 hours (1 business day), but may vary depending on the availability of products ordered. This period excludes delivery times, which depend on your geographic location.

Estimated delivery times:

  • Standard Shipping: 5-8 business days
  • Expedited Shipping: 3-5 business days

Shipping method varies depending on what is being shipped.  

Tracking
All orders are shipped with a tracking number. Once your order has left our warehouse, a confirmation e-mail with a tracking number will be sent to you. You will be able to track your package at all times. 

Damaged Parcel
If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

If you have any questions regarding shipping or want to know about the status of an order, please contact us or email to support@stevensbooks.com.

You may return most items within 30 days of delivery for a full refund.

To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.

Several types of goods are exempt from being returned. Perishable goods such as food, flowers, newspapers or magazines cannot be returned. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases.

Additional non-returnable items:

  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

Items returned to us that were not the result of our error, including items returned to us due to an invalid or incomplete address, will be refunded the original item price less our standard restocking fees.

If the item is returned to us for any of the following reasons, a 15% restocking fee will be applied to your refund total and you will be asked to pay for return shipping:

  • Item(s) no longer needed or wanted.
  • Item(s) returned to us due to an invalid or incomplete address.
  • Item(s) returned to us that were not a result of our error.

You should expect to receive your refund within four weeks of giving your package to the return shipper, however, in many cases you will receive a refund more quickly. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days).

If you need to return an item, please Contact Us with your order number and details about the product you would like to return. We will respond quickly with instructions for how to return items from your order.


Shipping Cost


We'll pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). In other cases, you will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.

Depending on where you live, the time it may take for your exchanged product to reach you, may vary.

If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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