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From Orality to Orality

Hardcover |English |1498212123 | 9781498212120

From Orality to Orality

Hardcover |English |1498212123 | 9781498212120
Overview


In this groundbreaking work, Bible translation is presented as an expression of contextualization that explores the neglected riches of the verbal arts in the New Testament. Going beyond a historical study of media in antiquity, this book explores a renewed interest in oral performance that informs methods and goals of Bible translation today. Such exploration is concretized in the New Testament translation work in central Africa among the Vute people of Cameroon. This study of contextualization appreciates the agency of local communities--particularly in Africa--who seek to express their Christian faith in response to anthropological pauperization. An extended analysis of African theologians demonstrates the ultimate goals of contextualization: liberation and identity. Oral performance exploits all the senses in experiencing communication while performer, text, and audience negotiate meaning. Performance not only expresses but also shapes identity as communities express their faith in varied contexts. This book contends that the New Testament compositions were initially performed and not restricted to individualized, silent reading. This understanding encourages a reexamination of how Bible translation can be done. Performance is not a product but a process that infuses biblical studies with new insights, methods, and expressions. ""What does 'orality' and public performance have to do with translating the written Scriptures of God? Many misconceptions about the nature of the biblical texts and their communication in modern world languages are corrected in this thoroughly engaging, wide-ranging book that offers an innovative, multidisciplinary approach to the subject. I can heartily recommend James Maxey's pioneering work on contextualizing the New Testament for effective contemporary, multi-sensory re-presentation. This is a vital resource for all students, exegetes, commentators, teachers, translators, and other communicators of the Word."" --Ernst R. Wendland Translation Consultant, United Bible Societies Instructor, Lusaka Lutheran Seminary ""In this volume, which brings together studies on Bible translation, orality, and performance criticism, James Maxey leads us into new and exciting ways of thinking about and doing Bible translation that takes into serious consideration the local context of the translation. The specific reference to the Vute New Testament translation in Cameroon takes the reader from theory to actual practice and shows the exciting future of Bible translation for performance."" --Roger L. Omanson United Bible Societies Consultant for Scholarly Editions and Helps ""Discarding simplistic communication models and insisting on the role of receptor community in the construction of meaning, James Maxey's From Orality to Orality deploys a strategic array of tools (orality studies, postcolonial critique, performance criticism, contextual case studies) that allows development towards a (contextual) 'missiology of Bible translation' and aids in the much needed redefinition of Bible translation as a power activity. In this way, Dr. Maxey also contributes significantly to the relocation of Bible translation within the broader context of translation studies."" --Philip H. Towner, Dean, The Nida Institute for Biblical Scholarship American Bible Society James A. Maxey is Director of Program Ministries for Lutheran Bible Translators in Aurora, Illinois.
ISBN: 1498212123
ISBN13: 9781498212120
Author: James A. Maxey
Publisher: Wipf and Stock
Format: Hardcover
PublicationDate: 2009-09-15
Language: English
PageCount: 236
Dimensions: 5.98 x 0.69 x 9.02 inches
Weight: 18.24 ounces


In this groundbreaking work, Bible translation is presented as an expression of contextualization that explores the neglected riches of the verbal arts in the New Testament. Going beyond a historical study of media in antiquity, this book explores a renewed interest in oral performance that informs methods and goals of Bible translation today. Such exploration is concretized in the New Testament translation work in central Africa among the Vute people of Cameroon. This study of contextualization appreciates the agency of local communities--particularly in Africa--who seek to express their Christian faith in response to anthropological pauperization. An extended analysis of African theologians demonstrates the ultimate goals of contextualization: liberation and identity. Oral performance exploits all the senses in experiencing communication while performer, text, and audience negotiate meaning. Performance not only expresses but also shapes identity as communities express their faith in varied contexts. This book contends that the New Testament compositions were initially performed and not restricted to individualized, silent reading. This understanding encourages a reexamination of how Bible translation can be done. Performance is not a product but a process that infuses biblical studies with new insights, methods, and expressions. ""What does 'orality' and public performance have to do with translating the written Scriptures of God? Many misconceptions about the nature of the biblical texts and their communication in modern world languages are corrected in this thoroughly engaging, wide-ranging book that offers an innovative, multidisciplinary approach to the subject. I can heartily recommend James Maxey's pioneering work on contextualizing the New Testament for effective contemporary, multi-sensory re-presentation. This is a vital resource for all students, exegetes, commentators, teachers, translators, and other communicators of the Word."" --Ernst R. Wendland Translation Consultant, United Bible Societies Instructor, Lusaka Lutheran Seminary ""In this volume, which brings together studies on Bible translation, orality, and performance criticism, James Maxey leads us into new and exciting ways of thinking about and doing Bible translation that takes into serious consideration the local context of the translation. The specific reference to the Vute New Testament translation in Cameroon takes the reader from theory to actual practice and shows the exciting future of Bible translation for performance."" --Roger L. Omanson United Bible Societies Consultant for Scholarly Editions and Helps ""Discarding simplistic communication models and insisting on the role of receptor community in the construction of meaning, James Maxey's From Orality to Orality deploys a strategic array of tools (orality studies, postcolonial critique, performance criticism, contextual case studies) that allows development towards a (contextual) 'missiology of Bible translation' and aids in the much needed redefinition of Bible translation as a power activity. In this way, Dr. Maxey also contributes significantly to the relocation of Bible translation within the broader context of translation studies."" --Philip H. Towner, Dean, The Nida Institute for Biblical Scholarship American Bible Society James A. Maxey is Director of Program Ministries for Lutheran Bible Translators in Aurora, Illinois.

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If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

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Overview


In this groundbreaking work, Bible translation is presented as an expression of contextualization that explores the neglected riches of the verbal arts in the New Testament. Going beyond a historical study of media in antiquity, this book explores a renewed interest in oral performance that informs methods and goals of Bible translation today. Such exploration is concretized in the New Testament translation work in central Africa among the Vute people of Cameroon. This study of contextualization appreciates the agency of local communities--particularly in Africa--who seek to express their Christian faith in response to anthropological pauperization. An extended analysis of African theologians demonstrates the ultimate goals of contextualization: liberation and identity. Oral performance exploits all the senses in experiencing communication while performer, text, and audience negotiate meaning. Performance not only expresses but also shapes identity as communities express their faith in varied contexts. This book contends that the New Testament compositions were initially performed and not restricted to individualized, silent reading. This understanding encourages a reexamination of how Bible translation can be done. Performance is not a product but a process that infuses biblical studies with new insights, methods, and expressions. ""What does 'orality' and public performance have to do with translating the written Scriptures of God? Many misconceptions about the nature of the biblical texts and their communication in modern world languages are corrected in this thoroughly engaging, wide-ranging book that offers an innovative, multidisciplinary approach to the subject. I can heartily recommend James Maxey's pioneering work on contextualizing the New Testament for effective contemporary, multi-sensory re-presentation. This is a vital resource for all students, exegetes, commentators, teachers, translators, and other communicators of the Word."" --Ernst R. Wendland Translation Consultant, United Bible Societies Instructor, Lusaka Lutheran Seminary ""In this volume, which brings together studies on Bible translation, orality, and performance criticism, James Maxey leads us into new and exciting ways of thinking about and doing Bible translation that takes into serious consideration the local context of the translation. The specific reference to the Vute New Testament translation in Cameroon takes the reader from theory to actual practice and shows the exciting future of Bible translation for performance."" --Roger L. Omanson United Bible Societies Consultant for Scholarly Editions and Helps ""Discarding simplistic communication models and insisting on the role of receptor community in the construction of meaning, James Maxey's From Orality to Orality deploys a strategic array of tools (orality studies, postcolonial critique, performance criticism, contextual case studies) that allows development towards a (contextual) 'missiology of Bible translation' and aids in the much needed redefinition of Bible translation as a power activity. In this way, Dr. Maxey also contributes significantly to the relocation of Bible translation within the broader context of translation studies."" --Philip H. Towner, Dean, The Nida Institute for Biblical Scholarship American Bible Society James A. Maxey is Director of Program Ministries for Lutheran Bible Translators in Aurora, Illinois.
ISBN: 1498212123
ISBN13: 9781498212120
Author: James A. Maxey
Publisher: Wipf and Stock
Format: Hardcover
PublicationDate: 2009-09-15
Language: English
PageCount: 236
Dimensions: 5.98 x 0.69 x 9.02 inches
Weight: 18.24 ounces


In this groundbreaking work, Bible translation is presented as an expression of contextualization that explores the neglected riches of the verbal arts in the New Testament. Going beyond a historical study of media in antiquity, this book explores a renewed interest in oral performance that informs methods and goals of Bible translation today. Such exploration is concretized in the New Testament translation work in central Africa among the Vute people of Cameroon. This study of contextualization appreciates the agency of local communities--particularly in Africa--who seek to express their Christian faith in response to anthropological pauperization. An extended analysis of African theologians demonstrates the ultimate goals of contextualization: liberation and identity. Oral performance exploits all the senses in experiencing communication while performer, text, and audience negotiate meaning. Performance not only expresses but also shapes identity as communities express their faith in varied contexts. This book contends that the New Testament compositions were initially performed and not restricted to individualized, silent reading. This understanding encourages a reexamination of how Bible translation can be done. Performance is not a product but a process that infuses biblical studies with new insights, methods, and expressions. ""What does 'orality' and public performance have to do with translating the written Scriptures of God? Many misconceptions about the nature of the biblical texts and their communication in modern world languages are corrected in this thoroughly engaging, wide-ranging book that offers an innovative, multidisciplinary approach to the subject. I can heartily recommend James Maxey's pioneering work on contextualizing the New Testament for effective contemporary, multi-sensory re-presentation. This is a vital resource for all students, exegetes, commentators, teachers, translators, and other communicators of the Word."" --Ernst R. Wendland Translation Consultant, United Bible Societies Instructor, Lusaka Lutheran Seminary ""In this volume, which brings together studies on Bible translation, orality, and performance criticism, James Maxey leads us into new and exciting ways of thinking about and doing Bible translation that takes into serious consideration the local context of the translation. The specific reference to the Vute New Testament translation in Cameroon takes the reader from theory to actual practice and shows the exciting future of Bible translation for performance."" --Roger L. Omanson United Bible Societies Consultant for Scholarly Editions and Helps ""Discarding simplistic communication models and insisting on the role of receptor community in the construction of meaning, James Maxey's From Orality to Orality deploys a strategic array of tools (orality studies, postcolonial critique, performance criticism, contextual case studies) that allows development towards a (contextual) 'missiology of Bible translation' and aids in the much needed redefinition of Bible translation as a power activity. In this way, Dr. Maxey also contributes significantly to the relocation of Bible translation within the broader context of translation studies."" --Philip H. Towner, Dean, The Nida Institute for Biblical Scholarship American Bible Society James A. Maxey is Director of Program Ministries for Lutheran Bible Translators in Aurora, Illinois.

Books - New and Used

The following guidelines apply to books:

  • New: A brand-new copy with cover and original protective wrapping intact. Books with markings of any kind on the cover or pages, books marked as "Bargain" or "Remainder," or with any other labels attached, may not be listed as New condition.
  • Used - Good: All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

Shipping Fees

  • Stevens Books offers FREE SHIPPING everywhere in the United States for ALL non-book orders, and $3.99 for each book.
  • Packages are shipped from Monday to Friday.
  • No additional fees and charges.

Delivery Times

The usual time for processing an order is 24 hours (1 business day), but may vary depending on the availability of products ordered. This period excludes delivery times, which depend on your geographic location.

Estimated delivery times:

  • Standard Shipping: 5-8 business days
  • Expedited Shipping: 3-5 business days

Shipping method varies depending on what is being shipped.  

Tracking
All orders are shipped with a tracking number. Once your order has left our warehouse, a confirmation e-mail with a tracking number will be sent to you. You will be able to track your package at all times. 

Damaged Parcel
If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

If you have any questions regarding shipping or want to know about the status of an order, please contact us or email to support@stevensbooks.com.

You may return most items within 30 days of delivery for a full refund.

To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.

Several types of goods are exempt from being returned. Perishable goods such as food, flowers, newspapers or magazines cannot be returned. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases.

Additional non-returnable items:

  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

Items returned to us that were not the result of our error, including items returned to us due to an invalid or incomplete address, will be refunded the original item price less our standard restocking fees.

If the item is returned to us for any of the following reasons, a 15% restocking fee will be applied to your refund total and you will be asked to pay for return shipping:

  • Item(s) no longer needed or wanted.
  • Item(s) returned to us due to an invalid or incomplete address.
  • Item(s) returned to us that were not a result of our error.

You should expect to receive your refund within four weeks of giving your package to the return shipper, however, in many cases you will receive a refund more quickly. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days).

If you need to return an item, please Contact Us with your order number and details about the product you would like to return. We will respond quickly with instructions for how to return items from your order.


Shipping Cost


We'll pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). In other cases, you will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.

Depending on where you live, the time it may take for your exchanged product to reach you, may vary.

If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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