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On the Occasion of My Last Afternoon: A Novel

Paperback |English |0060797142 | 9780060797140

On the Occasion of My Last Afternoon: A Novel

Paperback |English |0060797142 | 9780060797140
Overview
Polly Holliday of TV'sHome Improvementwon a Tony nomination on Broadway playing Big Mama inCat on a Hot Tin Roof, and she makes Clarice, the matriarch of Kaye Gibbons' Civil War storyOn the Occasion of My Last Afternoon, sound very big of voice indeed. Clarice is the slave who really runs things on Virginia's Seven Oaks plantation, no matter what her nasty, brutish owner, Samuel P. Tate, might think. Holliday has a good time voicing Tate's fulminations, too, neatly distinguishing them from the heroine-narrator Emma Tate's rather daintier dulcet tones. Not that Emma can't be wicked in her own way: she describes a snobbish socialite, "aggressively plain in the face ... who effused through the front door and into the arms of everyone simultaneously." Ms. Holliday puts as much sly violence into that "effused" as she does into Mr. Tate's rages.Everyone who read Charles Frazier'sCold Mountainshould consider readingOn the Occasion of My Last Afternoon, the poetically charged fictional reminiscences of Emma Garnet Tate Lowell, circa 1842-1900. For one thing, it was Frazier's already-published friend Gibbons who, with Frazier's wife's connivance, priedCold Mountainfrom his grip and got it into publishers' hands.But beyond their Civil War setting--a first for Gibbons, who's noted for 20th-century tales--the two books share resonant Southern literary accents, characters with similarly obstinate responses to enormous grief, and a shivery sense of history's stark shadow falling across everyday events. Oprah Winfrey twice recommended Gibbons' fiction (Ellen FosterandA Virtuous Woman), and Walker Percy compared her to Faulkner. Oprah probably liked Gibbons's heroines for their plucky refusal to buckle under oppression--a trait shared by Gibbons herself, who triumphed over the manic-depressive illness that drove her mother to suicide.Our heroine, Emma, shivers under the tyranny of her plantation daddy, Mr. Tate, who slits the throat of a slave who talks back to him and just might do the same to his half-dozen children. There is no enormity of which he is incapable, this bellowing Simon Legree with an autodidact's education and a self-made man's bottomless urge to rise above his raising. He is, as he might have thunderingly put it, "a pluperfect son of Satan." Only Clarice can fight Samuel Tate to a verbal draw and prevent slave uprisings on the eve of the war. Clarice helps save Emma, as does Emma's impeccable swain Dr. Quincy Lowell, who sweeps in like a cool Boston breeze to dispel the dismal tidewater miasma.The war, alas, brings a tsunami of blood, forcing Dr. Lowell to make Emma a de facto battlefield surgeon, an occasion he recognizes by fashioning a bit of commemorative jewelry for her from a dead man's silver filling and inscribing the date with a finger-amputation tool. One aspect of Gibbons' Frazier-esque orgy of historical research for the book is an authentic feel for the grotesqueries of the period.One craves for Emma's hubby and daddy to swap five percent of each others' respectively perfect and perfectly awful souls--the book is not big on startling character revelations. What makes it work, despite its binary morality, is the grace and rumbling life of the narrator's language. The book, which has its sometimes anachronistically enlightened head in the New South and its feet firmly planted in the past, deserves a place next to Russell Banks' John Brown novelCloudsplitter. At points, it reads like a smarter, nonracistGone with the Wind, only less windy.--Tim Appelo--This text refers to an out of print or unavailable edition of this title.
ISBN: 0060797142
ISBN13: 9780060797140
Author: Kaye Gibbons
Publisher: Harper Perennial
Format: Paperback
PublicationDate: 2005-06-28
Language: English
Edition: Reissue
PageCount: 304
Dimensions: 5.31 x 0.68 x 8.0 inches
Weight: 9.12 ounces
Polly Holliday of TV'sHome Improvementwon a Tony nomination on Broadway playing Big Mama inCat on a Hot Tin Roof, and she makes Clarice, the matriarch of Kaye Gibbons' Civil War storyOn the Occasion of My Last Afternoon, sound very big of voice indeed. Clarice is the slave who really runs things on Virginia's Seven Oaks plantation, no matter what her nasty, brutish owner, Samuel P. Tate, might think. Holliday has a good time voicing Tate's fulminations, too, neatly distinguishing them from the heroine-narrator Emma Tate's rather daintier dulcet tones. Not that Emma can't be wicked in her own way: she describes a snobbish socialite, "aggressively plain in the face ... who effused through the front door and into the arms of everyone simultaneously." Ms. Holliday puts as much sly violence into that "effused" as she does into Mr. Tate's rages.Everyone who read Charles Frazier'sCold Mountainshould consider readingOn the Occasion of My Last Afternoon, the poetically charged fictional reminiscences of Emma Garnet Tate Lowell, circa 1842-1900. For one thing, it was Frazier's already-published friend Gibbons who, with Frazier's wife's connivance, priedCold Mountainfrom his grip and got it into publishers' hands.But beyond their Civil War setting--a first for Gibbons, who's noted for 20th-century tales--the two books share resonant Southern literary accents, characters with similarly obstinate responses to enormous grief, and a shivery sense of history's stark shadow falling across everyday events. Oprah Winfrey twice recommended Gibbons' fiction (Ellen FosterandA Virtuous Woman), and Walker Percy compared her to Faulkner. Oprah probably liked Gibbons's heroines for their plucky refusal to buckle under oppression--a trait shared by Gibbons herself, who triumphed over the manic-depressive illness that drove her mother to suicide.Our heroine, Emma, shivers under the tyranny of her plantation daddy, Mr. Tate, who slits the throat of a slave who talks back to him and just might do the same to his half-dozen children. There is no enormity of which he is incapable, this bellowing Simon Legree with an autodidact's education and a self-made man's bottomless urge to rise above his raising. He is, as he might have thunderingly put it, "a pluperfect son of Satan." Only Clarice can fight Samuel Tate to a verbal draw and prevent slave uprisings on the eve of the war. Clarice helps save Emma, as does Emma's impeccable swain Dr. Quincy Lowell, who sweeps in like a cool Boston breeze to dispel the dismal tidewater miasma.The war, alas, brings a tsunami of blood, forcing Dr. Lowell to make Emma a de facto battlefield surgeon, an occasion he recognizes by fashioning a bit of commemorative jewelry for her from a dead man's silver filling and inscribing the date with a finger-amputation tool. One aspect of Gibbons' Frazier-esque orgy of historical research for the book is an authentic feel for the grotesqueries of the period.One craves for Emma's hubby and daddy to swap five percent of each others' respectively perfect and perfectly awful souls--the book is not big on startling character revelations. What makes it work, despite its binary morality, is the grace and rumbling life of the narrator's language. The book, which has its sometimes anachronistically enlightened head in the New South and its feet firmly planted in the past, deserves a place next to Russell Banks' John Brown novelCloudsplitter. At points, it reads like a smarter, nonracistGone with the Wind, only less windy.--Tim Appelo--This text refers to an out of print or unavailable edition of this title.

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  • New: A brand-new copy with cover and original protective wrapping intact. Books with markings of any kind on the cover or pages, books marked as "Bargain" or "Remainder," or with any other labels attached, may not be listed as New condition.
  • Used - Good: All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

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Shipping method varies depending on what is being shipped.  

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Damaged Parcel
If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

If you have any questions regarding shipping or want to know about the status of an order, please contact us or email to support@stevensbooks.com.

You may return most items within 30 days of delivery for a full refund.

To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.

Several types of goods are exempt from being returned. Perishable goods such as food, flowers, newspapers or magazines cannot be returned. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases.

Additional non-returnable items:

  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

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We'll pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). In other cases, you will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.

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If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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Overview
Polly Holliday of TV'sHome Improvementwon a Tony nomination on Broadway playing Big Mama inCat on a Hot Tin Roof, and she makes Clarice, the matriarch of Kaye Gibbons' Civil War storyOn the Occasion of My Last Afternoon, sound very big of voice indeed. Clarice is the slave who really runs things on Virginia's Seven Oaks plantation, no matter what her nasty, brutish owner, Samuel P. Tate, might think. Holliday has a good time voicing Tate's fulminations, too, neatly distinguishing them from the heroine-narrator Emma Tate's rather daintier dulcet tones. Not that Emma can't be wicked in her own way: she describes a snobbish socialite, "aggressively plain in the face ... who effused through the front door and into the arms of everyone simultaneously." Ms. Holliday puts as much sly violence into that "effused" as she does into Mr. Tate's rages.Everyone who read Charles Frazier'sCold Mountainshould consider readingOn the Occasion of My Last Afternoon, the poetically charged fictional reminiscences of Emma Garnet Tate Lowell, circa 1842-1900. For one thing, it was Frazier's already-published friend Gibbons who, with Frazier's wife's connivance, priedCold Mountainfrom his grip and got it into publishers' hands.But beyond their Civil War setting--a first for Gibbons, who's noted for 20th-century tales--the two books share resonant Southern literary accents, characters with similarly obstinate responses to enormous grief, and a shivery sense of history's stark shadow falling across everyday events. Oprah Winfrey twice recommended Gibbons' fiction (Ellen FosterandA Virtuous Woman), and Walker Percy compared her to Faulkner. Oprah probably liked Gibbons's heroines for their plucky refusal to buckle under oppression--a trait shared by Gibbons herself, who triumphed over the manic-depressive illness that drove her mother to suicide.Our heroine, Emma, shivers under the tyranny of her plantation daddy, Mr. Tate, who slits the throat of a slave who talks back to him and just might do the same to his half-dozen children. There is no enormity of which he is incapable, this bellowing Simon Legree with an autodidact's education and a self-made man's bottomless urge to rise above his raising. He is, as he might have thunderingly put it, "a pluperfect son of Satan." Only Clarice can fight Samuel Tate to a verbal draw and prevent slave uprisings on the eve of the war. Clarice helps save Emma, as does Emma's impeccable swain Dr. Quincy Lowell, who sweeps in like a cool Boston breeze to dispel the dismal tidewater miasma.The war, alas, brings a tsunami of blood, forcing Dr. Lowell to make Emma a de facto battlefield surgeon, an occasion he recognizes by fashioning a bit of commemorative jewelry for her from a dead man's silver filling and inscribing the date with a finger-amputation tool. One aspect of Gibbons' Frazier-esque orgy of historical research for the book is an authentic feel for the grotesqueries of the period.One craves for Emma's hubby and daddy to swap five percent of each others' respectively perfect and perfectly awful souls--the book is not big on startling character revelations. What makes it work, despite its binary morality, is the grace and rumbling life of the narrator's language. The book, which has its sometimes anachronistically enlightened head in the New South and its feet firmly planted in the past, deserves a place next to Russell Banks' John Brown novelCloudsplitter. At points, it reads like a smarter, nonracistGone with the Wind, only less windy.--Tim Appelo--This text refers to an out of print or unavailable edition of this title.
ISBN: 0060797142
ISBN13: 9780060797140
Author: Kaye Gibbons
Publisher: Harper Perennial
Format: Paperback
PublicationDate: 2005-06-28
Language: English
Edition: Reissue
PageCount: 304
Dimensions: 5.31 x 0.68 x 8.0 inches
Weight: 9.12 ounces
Polly Holliday of TV'sHome Improvementwon a Tony nomination on Broadway playing Big Mama inCat on a Hot Tin Roof, and she makes Clarice, the matriarch of Kaye Gibbons' Civil War storyOn the Occasion of My Last Afternoon, sound very big of voice indeed. Clarice is the slave who really runs things on Virginia's Seven Oaks plantation, no matter what her nasty, brutish owner, Samuel P. Tate, might think. Holliday has a good time voicing Tate's fulminations, too, neatly distinguishing them from the heroine-narrator Emma Tate's rather daintier dulcet tones. Not that Emma can't be wicked in her own way: she describes a snobbish socialite, "aggressively plain in the face ... who effused through the front door and into the arms of everyone simultaneously." Ms. Holliday puts as much sly violence into that "effused" as she does into Mr. Tate's rages.Everyone who read Charles Frazier'sCold Mountainshould consider readingOn the Occasion of My Last Afternoon, the poetically charged fictional reminiscences of Emma Garnet Tate Lowell, circa 1842-1900. For one thing, it was Frazier's already-published friend Gibbons who, with Frazier's wife's connivance, priedCold Mountainfrom his grip and got it into publishers' hands.But beyond their Civil War setting--a first for Gibbons, who's noted for 20th-century tales--the two books share resonant Southern literary accents, characters with similarly obstinate responses to enormous grief, and a shivery sense of history's stark shadow falling across everyday events. Oprah Winfrey twice recommended Gibbons' fiction (Ellen FosterandA Virtuous Woman), and Walker Percy compared her to Faulkner. Oprah probably liked Gibbons's heroines for their plucky refusal to buckle under oppression--a trait shared by Gibbons herself, who triumphed over the manic-depressive illness that drove her mother to suicide.Our heroine, Emma, shivers under the tyranny of her plantation daddy, Mr. Tate, who slits the throat of a slave who talks back to him and just might do the same to his half-dozen children. There is no enormity of which he is incapable, this bellowing Simon Legree with an autodidact's education and a self-made man's bottomless urge to rise above his raising. He is, as he might have thunderingly put it, "a pluperfect son of Satan." Only Clarice can fight Samuel Tate to a verbal draw and prevent slave uprisings on the eve of the war. Clarice helps save Emma, as does Emma's impeccable swain Dr. Quincy Lowell, who sweeps in like a cool Boston breeze to dispel the dismal tidewater miasma.The war, alas, brings a tsunami of blood, forcing Dr. Lowell to make Emma a de facto battlefield surgeon, an occasion he recognizes by fashioning a bit of commemorative jewelry for her from a dead man's silver filling and inscribing the date with a finger-amputation tool. One aspect of Gibbons' Frazier-esque orgy of historical research for the book is an authentic feel for the grotesqueries of the period.One craves for Emma's hubby and daddy to swap five percent of each others' respectively perfect and perfectly awful souls--the book is not big on startling character revelations. What makes it work, despite its binary morality, is the grace and rumbling life of the narrator's language. The book, which has its sometimes anachronistically enlightened head in the New South and its feet firmly planted in the past, deserves a place next to Russell Banks' John Brown novelCloudsplitter. At points, it reads like a smarter, nonracistGone with the Wind, only less windy.--Tim Appelo--This text refers to an out of print or unavailable edition of this title.

Books - New and Used

The following guidelines apply to books:

  • New: A brand-new copy with cover and original protective wrapping intact. Books with markings of any kind on the cover or pages, books marked as "Bargain" or "Remainder," or with any other labels attached, may not be listed as New condition.
  • Used - Good: All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

Shipping Fees

  • Stevens Books offers FREE SHIPPING everywhere in the United States for ALL non-book orders, and $3.99 for each book.
  • Packages are shipped from Monday to Friday.
  • No additional fees and charges.

Delivery Times

The usual time for processing an order is 24 hours (1 business day), but may vary depending on the availability of products ordered. This period excludes delivery times, which depend on your geographic location.

Estimated delivery times:

  • Standard Shipping: 5-8 business days
  • Expedited Shipping: 3-5 business days

Shipping method varies depending on what is being shipped.  

Tracking
All orders are shipped with a tracking number. Once your order has left our warehouse, a confirmation e-mail with a tracking number will be sent to you. You will be able to track your package at all times. 

Damaged Parcel
If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

If you have any questions regarding shipping or want to know about the status of an order, please contact us or email to support@stevensbooks.com.

You may return most items within 30 days of delivery for a full refund.

To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.

Several types of goods are exempt from being returned. Perishable goods such as food, flowers, newspapers or magazines cannot be returned. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases.

Additional non-returnable items:

  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

Items returned to us that were not the result of our error, including items returned to us due to an invalid or incomplete address, will be refunded the original item price less our standard restocking fees.

If the item is returned to us for any of the following reasons, a 15% restocking fee will be applied to your refund total and you will be asked to pay for return shipping:

  • Item(s) no longer needed or wanted.
  • Item(s) returned to us due to an invalid or incomplete address.
  • Item(s) returned to us that were not a result of our error.

You should expect to receive your refund within four weeks of giving your package to the return shipper, however, in many cases you will receive a refund more quickly. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days).

If you need to return an item, please Contact Us with your order number and details about the product you would like to return. We will respond quickly with instructions for how to return items from your order.


Shipping Cost


We'll pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). In other cases, you will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.

Depending on where you live, the time it may take for your exchanged product to reach you, may vary.

If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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