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Philosophy the Day after Tomorrow

Paperback |English |0674022327 | 9780674022324

Philosophy the Day after Tomorrow

Paperback |English |0674022327 | 9780674022324
Overview
Philosophy the Day After Tomorrowadvances not only on his previous collections of formal papers, but also on the autobiographicalPitch of Philosophy(1994), by conveying an approach to thought that gives thought itself its due, as an ongoing process of momentary involvement, as distinct from any more mechanized, "automated," positivistic or sparsely logical methods of analysis--and equally we must recall that after all Stanley Cavell's background was precisely given by a various approach to analytic philosophy. The reader is here constantly encouraged in rethinking Wittgenstein's willingness to consult the mysteries of ordinary language itself. In turn, with Stanley Cavell himself, we see the ways this particular philosophy is always unfurling and refolding the flag of its ideas. These essays, sharing some properties of musical variation, deal with the question of individual and social freedom. This crux arises from our being users of language, in our achieving ordinary identity, which is where, in our human condition, the most important philosophical issues may be seen to locate their limits. (Angus Fletcher, author ofA New Theory for American Poetry)Over the course of his long and prodigious career, Stanley Cavell has been concerned with a number of recurrent issues, both philosophical (Wittgenstein, J. L. Austin and ordinary language philosophy; Thoreau, Emerson, and Emersonianism; skepticism) and cultural (America; film; Shakespeare). He has also been, and continues to be, the foremost advocate in this country for a rapprochement between philosophy and literature with a merging of what are known as the Anglo-American and the Continental strains of philosophy.Philosophy the Day After Tomorrowcomprises his most recent set of meditations on these issues, and as such it offers at once a welcome revisitation of his work to date and a nuanced, considered extension of his thinking. As is fitting for an intellectual of Cavell's standing, it also provides an opportunity to witness a philosopher at the height of his maturity working through questions to which he has devoted his extraordinary career. (Robert Harrison, author ofThe Body of BeatriceandThe Dominion of the Dead)One of our most imaginative philosophers, Cavell can always be counted upon to provoke his readers to join him as he soars to dizzying new philosophical heights. With his characteristic aplomb, he ranges over the thoughts of his favorite philosophers, from Nietzsche and Wittgenstein to Heidegger and J. L. Austin, weaving them seamlessly into colorful new patterns with the performative gestures of figures as diverse as Fred Astaire, Shakespeare, Henry James, Jane Austen, George Eliot, and his other favorites, Emerson and Thoreau. Cavell examines themes ranging from the role of the ordinary in philosophy and the intellectual isolation of contemporary American philosophy to the nature and place of skepticism in literature and philosophy...Very few philosopher's demonstrate Cavell's knack for connecting literary and cinematic texts with philosophical writings. (Henry L. Carrigan Jr.Library Journal2005-02-01)What has Wittgenstein or Heidegger got to do with Fred Astaire? More than a little, Cavell argues in one of the essays in this new collection, which as a whole demonstrates his nuanced philosophical and intellectual engagement with culture in general, and popular culture in particular. (London Review of Books2005-08-18)Stanley Cavell has been a major figure not only as an academic philosopher at Harvard, but also as an educator to those of us who would read modern philosophy if only it were readable. He has a seductively conversational tone, and I am an addict of his essays. A new volume,Philosophy the Day After Tomorrow, does not disappoint. Who but Cavell could begin an essay with Nietsche'sBirth of Tragedyand end it with an analysis of Fred Astaire? There are good thoughts on Shakespeare, Henry James, Wittgenstein and, of course, Heidegger. Cavell is one of Heidegger's most intelligible interpreters. (A. N. WilsonTimes Literary Supplement2005-12-02)Stanley Cavell is widely regarded as one of the most innovative and independent contemporary American philosophers writing today...Cavell's newest bookPhilosophy the Day after Tomorrowcomprises his most recent thinking on topics pertaining to philosophy, literature and film. A collection of ten essays, the book's topics span over the whole range of questions that have at some time or other preoccupied this philosopher's interest...Cavell never disappoints to surprise the reader with his insights. An astute reader and interpreter of works of art, he is showing an acute sensibility that is capable of unearthing new twists and turns in the canonic interpretations of classical and modern works of art (or the supposedly mundane works of the movie world). Only a philosopher such as Cavell could be brave enough to dig out hidden philosophical propositions out of a short sequence of a dancing routine by Fred Astaire. (Harry WitzthumMetapsychology2005-12-15)
ISBN: 0674022327
ISBN13: 9780674022324
Author: Stanley Cavell
Publisher: Harvard University Press
Format: Paperback
PublicationDate: 2006-10-31
Language: English
Edition: New Ed
PageCount: 328
Dimensions: 5.5 x 0.82 x 8.25 inches
Weight: 14.08 ounces
Philosophy the Day After Tomorrowadvances not only on his previous collections of formal papers, but also on the autobiographicalPitch of Philosophy(1994), by conveying an approach to thought that gives thought itself its due, as an ongoing process of momentary involvement, as distinct from any more mechanized, "automated," positivistic or sparsely logical methods of analysis--and equally we must recall that after all Stanley Cavell's background was precisely given by a various approach to analytic philosophy. The reader is here constantly encouraged in rethinking Wittgenstein's willingness to consult the mysteries of ordinary language itself. In turn, with Stanley Cavell himself, we see the ways this particular philosophy is always unfurling and refolding the flag of its ideas. These essays, sharing some properties of musical variation, deal with the question of individual and social freedom. This crux arises from our being users of language, in our achieving ordinary identity, which is where, in our human condition, the most important philosophical issues may be seen to locate their limits. (Angus Fletcher, author ofA New Theory for American Poetry)Over the course of his long and prodigious career, Stanley Cavell has been concerned with a number of recurrent issues, both philosophical (Wittgenstein, J. L. Austin and ordinary language philosophy; Thoreau, Emerson, and Emersonianism; skepticism) and cultural (America; film; Shakespeare). He has also been, and continues to be, the foremost advocate in this country for a rapprochement between philosophy and literature with a merging of what are known as the Anglo-American and the Continental strains of philosophy.Philosophy the Day After Tomorrowcomprises his most recent set of meditations on these issues, and as such it offers at once a welcome revisitation of his work to date and a nuanced, considered extension of his thinking. As is fitting for an intellectual of Cavell's standing, it also provides an opportunity to witness a philosopher at the height of his maturity working through questions to which he has devoted his extraordinary career. (Robert Harrison, author ofThe Body of BeatriceandThe Dominion of the Dead)One of our most imaginative philosophers, Cavell can always be counted upon to provoke his readers to join him as he soars to dizzying new philosophical heights. With his characteristic aplomb, he ranges over the thoughts of his favorite philosophers, from Nietzsche and Wittgenstein to Heidegger and J. L. Austin, weaving them seamlessly into colorful new patterns with the performative gestures of figures as diverse as Fred Astaire, Shakespeare, Henry James, Jane Austen, George Eliot, and his other favorites, Emerson and Thoreau. Cavell examines themes ranging from the role of the ordinary in philosophy and the intellectual isolation of contemporary American philosophy to the nature and place of skepticism in literature and philosophy...Very few philosopher's demonstrate Cavell's knack for connecting literary and cinematic texts with philosophical writings. (Henry L. Carrigan Jr.Library Journal2005-02-01)What has Wittgenstein or Heidegger got to do with Fred Astaire? More than a little, Cavell argues in one of the essays in this new collection, which as a whole demonstrates his nuanced philosophical and intellectual engagement with culture in general, and popular culture in particular. (London Review of Books2005-08-18)Stanley Cavell has been a major figure not only as an academic philosopher at Harvard, but also as an educator to those of us who would read modern philosophy if only it were readable. He has a seductively conversational tone, and I am an addict of his essays. A new volume,Philosophy the Day After Tomorrow, does not disappoint. Who but Cavell could begin an essay with Nietsche'sBirth of Tragedyand end it with an analysis of Fred Astaire? There are good thoughts on Shakespeare, Henry James, Wittgenstein and, of course, Heidegger. Cavell is one of Heidegger's most intelligible interpreters. (A. N. WilsonTimes Literary Supplement2005-12-02)Stanley Cavell is widely regarded as one of the most innovative and independent contemporary American philosophers writing today...Cavell's newest bookPhilosophy the Day after Tomorrowcomprises his most recent thinking on topics pertaining to philosophy, literature and film. A collection of ten essays, the book's topics span over the whole range of questions that have at some time or other preoccupied this philosopher's interest...Cavell never disappoints to surprise the reader with his insights. An astute reader and interpreter of works of art, he is showing an acute sensibility that is capable of unearthing new twists and turns in the canonic interpretations of classical and modern works of art (or the supposedly mundane works of the movie world). Only a philosopher such as Cavell could be brave enough to dig out hidden philosophical propositions out of a short sequence of a dancing routine by Fred Astaire. (Harry WitzthumMetapsychology2005-12-15)

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If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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Overview
Philosophy the Day After Tomorrowadvances not only on his previous collections of formal papers, but also on the autobiographicalPitch of Philosophy(1994), by conveying an approach to thought that gives thought itself its due, as an ongoing process of momentary involvement, as distinct from any more mechanized, "automated," positivistic or sparsely logical methods of analysis--and equally we must recall that after all Stanley Cavell's background was precisely given by a various approach to analytic philosophy. The reader is here constantly encouraged in rethinking Wittgenstein's willingness to consult the mysteries of ordinary language itself. In turn, with Stanley Cavell himself, we see the ways this particular philosophy is always unfurling and refolding the flag of its ideas. These essays, sharing some properties of musical variation, deal with the question of individual and social freedom. This crux arises from our being users of language, in our achieving ordinary identity, which is where, in our human condition, the most important philosophical issues may be seen to locate their limits. (Angus Fletcher, author ofA New Theory for American Poetry)Over the course of his long and prodigious career, Stanley Cavell has been concerned with a number of recurrent issues, both philosophical (Wittgenstein, J. L. Austin and ordinary language philosophy; Thoreau, Emerson, and Emersonianism; skepticism) and cultural (America; film; Shakespeare). He has also been, and continues to be, the foremost advocate in this country for a rapprochement between philosophy and literature with a merging of what are known as the Anglo-American and the Continental strains of philosophy.Philosophy the Day After Tomorrowcomprises his most recent set of meditations on these issues, and as such it offers at once a welcome revisitation of his work to date and a nuanced, considered extension of his thinking. As is fitting for an intellectual of Cavell's standing, it also provides an opportunity to witness a philosopher at the height of his maturity working through questions to which he has devoted his extraordinary career. (Robert Harrison, author ofThe Body of BeatriceandThe Dominion of the Dead)One of our most imaginative philosophers, Cavell can always be counted upon to provoke his readers to join him as he soars to dizzying new philosophical heights. With his characteristic aplomb, he ranges over the thoughts of his favorite philosophers, from Nietzsche and Wittgenstein to Heidegger and J. L. Austin, weaving them seamlessly into colorful new patterns with the performative gestures of figures as diverse as Fred Astaire, Shakespeare, Henry James, Jane Austen, George Eliot, and his other favorites, Emerson and Thoreau. Cavell examines themes ranging from the role of the ordinary in philosophy and the intellectual isolation of contemporary American philosophy to the nature and place of skepticism in literature and philosophy...Very few philosopher's demonstrate Cavell's knack for connecting literary and cinematic texts with philosophical writings. (Henry L. Carrigan Jr.Library Journal2005-02-01)What has Wittgenstein or Heidegger got to do with Fred Astaire? More than a little, Cavell argues in one of the essays in this new collection, which as a whole demonstrates his nuanced philosophical and intellectual engagement with culture in general, and popular culture in particular. (London Review of Books2005-08-18)Stanley Cavell has been a major figure not only as an academic philosopher at Harvard, but also as an educator to those of us who would read modern philosophy if only it were readable. He has a seductively conversational tone, and I am an addict of his essays. A new volume,Philosophy the Day After Tomorrow, does not disappoint. Who but Cavell could begin an essay with Nietsche'sBirth of Tragedyand end it with an analysis of Fred Astaire? There are good thoughts on Shakespeare, Henry James, Wittgenstein and, of course, Heidegger. Cavell is one of Heidegger's most intelligible interpreters. (A. N. WilsonTimes Literary Supplement2005-12-02)Stanley Cavell is widely regarded as one of the most innovative and independent contemporary American philosophers writing today...Cavell's newest bookPhilosophy the Day after Tomorrowcomprises his most recent thinking on topics pertaining to philosophy, literature and film. A collection of ten essays, the book's topics span over the whole range of questions that have at some time or other preoccupied this philosopher's interest...Cavell never disappoints to surprise the reader with his insights. An astute reader and interpreter of works of art, he is showing an acute sensibility that is capable of unearthing new twists and turns in the canonic interpretations of classical and modern works of art (or the supposedly mundane works of the movie world). Only a philosopher such as Cavell could be brave enough to dig out hidden philosophical propositions out of a short sequence of a dancing routine by Fred Astaire. (Harry WitzthumMetapsychology2005-12-15)
ISBN: 0674022327
ISBN13: 9780674022324
Author: Stanley Cavell
Publisher: Harvard University Press
Format: Paperback
PublicationDate: 2006-10-31
Language: English
Edition: New Ed
PageCount: 328
Dimensions: 5.5 x 0.82 x 8.25 inches
Weight: 14.08 ounces
Philosophy the Day After Tomorrowadvances not only on his previous collections of formal papers, but also on the autobiographicalPitch of Philosophy(1994), by conveying an approach to thought that gives thought itself its due, as an ongoing process of momentary involvement, as distinct from any more mechanized, "automated," positivistic or sparsely logical methods of analysis--and equally we must recall that after all Stanley Cavell's background was precisely given by a various approach to analytic philosophy. The reader is here constantly encouraged in rethinking Wittgenstein's willingness to consult the mysteries of ordinary language itself. In turn, with Stanley Cavell himself, we see the ways this particular philosophy is always unfurling and refolding the flag of its ideas. These essays, sharing some properties of musical variation, deal with the question of individual and social freedom. This crux arises from our being users of language, in our achieving ordinary identity, which is where, in our human condition, the most important philosophical issues may be seen to locate their limits. (Angus Fletcher, author ofA New Theory for American Poetry)Over the course of his long and prodigious career, Stanley Cavell has been concerned with a number of recurrent issues, both philosophical (Wittgenstein, J. L. Austin and ordinary language philosophy; Thoreau, Emerson, and Emersonianism; skepticism) and cultural (America; film; Shakespeare). He has also been, and continues to be, the foremost advocate in this country for a rapprochement between philosophy and literature with a merging of what are known as the Anglo-American and the Continental strains of philosophy.Philosophy the Day After Tomorrowcomprises his most recent set of meditations on these issues, and as such it offers at once a welcome revisitation of his work to date and a nuanced, considered extension of his thinking. As is fitting for an intellectual of Cavell's standing, it also provides an opportunity to witness a philosopher at the height of his maturity working through questions to which he has devoted his extraordinary career. (Robert Harrison, author ofThe Body of BeatriceandThe Dominion of the Dead)One of our most imaginative philosophers, Cavell can always be counted upon to provoke his readers to join him as he soars to dizzying new philosophical heights. With his characteristic aplomb, he ranges over the thoughts of his favorite philosophers, from Nietzsche and Wittgenstein to Heidegger and J. L. Austin, weaving them seamlessly into colorful new patterns with the performative gestures of figures as diverse as Fred Astaire, Shakespeare, Henry James, Jane Austen, George Eliot, and his other favorites, Emerson and Thoreau. Cavell examines themes ranging from the role of the ordinary in philosophy and the intellectual isolation of contemporary American philosophy to the nature and place of skepticism in literature and philosophy...Very few philosopher's demonstrate Cavell's knack for connecting literary and cinematic texts with philosophical writings. (Henry L. Carrigan Jr.Library Journal2005-02-01)What has Wittgenstein or Heidegger got to do with Fred Astaire? More than a little, Cavell argues in one of the essays in this new collection, which as a whole demonstrates his nuanced philosophical and intellectual engagement with culture in general, and popular culture in particular. (London Review of Books2005-08-18)Stanley Cavell has been a major figure not only as an academic philosopher at Harvard, but also as an educator to those of us who would read modern philosophy if only it were readable. He has a seductively conversational tone, and I am an addict of his essays. A new volume,Philosophy the Day After Tomorrow, does not disappoint. Who but Cavell could begin an essay with Nietsche'sBirth of Tragedyand end it with an analysis of Fred Astaire? There are good thoughts on Shakespeare, Henry James, Wittgenstein and, of course, Heidegger. Cavell is one of Heidegger's most intelligible interpreters. (A. N. WilsonTimes Literary Supplement2005-12-02)Stanley Cavell is widely regarded as one of the most innovative and independent contemporary American philosophers writing today...Cavell's newest bookPhilosophy the Day after Tomorrowcomprises his most recent thinking on topics pertaining to philosophy, literature and film. A collection of ten essays, the book's topics span over the whole range of questions that have at some time or other preoccupied this philosopher's interest...Cavell never disappoints to surprise the reader with his insights. An astute reader and interpreter of works of art, he is showing an acute sensibility that is capable of unearthing new twists and turns in the canonic interpretations of classical and modern works of art (or the supposedly mundane works of the movie world). Only a philosopher such as Cavell could be brave enough to dig out hidden philosophical propositions out of a short sequence of a dancing routine by Fred Astaire. (Harry WitzthumMetapsychology2005-12-15)

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  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

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  • Stevens Books offers FREE SHIPPING everywhere in the United States for ALL non-book orders, and $3.99 for each book.
  • Packages are shipped from Monday to Friday.
  • No additional fees and charges.

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The usual time for processing an order is 24 hours (1 business day), but may vary depending on the availability of products ordered. This period excludes delivery times, which depend on your geographic location.

Estimated delivery times:

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Shipping method varies depending on what is being shipped.  

Tracking
All orders are shipped with a tracking number. Once your order has left our warehouse, a confirmation e-mail with a tracking number will be sent to you. You will be able to track your package at all times. 

Damaged Parcel
If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

If you have any questions regarding shipping or want to know about the status of an order, please contact us or email to support@stevensbooks.com.

You may return most items within 30 days of delivery for a full refund.

To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.

Several types of goods are exempt from being returned. Perishable goods such as food, flowers, newspapers or magazines cannot be returned. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases.

Additional non-returnable items:

  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

Items returned to us that were not the result of our error, including items returned to us due to an invalid or incomplete address, will be refunded the original item price less our standard restocking fees.

If the item is returned to us for any of the following reasons, a 15% restocking fee will be applied to your refund total and you will be asked to pay for return shipping:

  • Item(s) no longer needed or wanted.
  • Item(s) returned to us due to an invalid or incomplete address.
  • Item(s) returned to us that were not a result of our error.

You should expect to receive your refund within four weeks of giving your package to the return shipper, however, in many cases you will receive a refund more quickly. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days).

If you need to return an item, please Contact Us with your order number and details about the product you would like to return. We will respond quickly with instructions for how to return items from your order.


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We'll pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). In other cases, you will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.

Depending on where you live, the time it may take for your exchanged product to reach you, may vary.

If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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