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The Country of the Pointed Firs and Selected Short Fiction (Barnes & Noble Classics Series)

Paperback |English |1593082622 | 9781593082628

The Country of the Pointed Firs and Selected Short Fiction (Barnes & Noble Classics Series)

Paperback |English |1593082622 | 9781593082628
Overview
From Ted Olson’s Introduction toThe Country of the Pointed Firs and Selected Short FictionJewett’s representation of Maine in her fictional works does not fully reflect that she was well aware her childhood home place had been dramatically changed by economic and social forces wrought by the post–Civil War prosperity. By the late 1870s, while Jewett was gaining national attention through her publications, South Berwick was, as the author stated in a letter, “growing and flourishing in a way that breaks my heart” (Blanchard,Sarah Orne Jewett: Her World and Her Work, p. 43). The changes in South Berwick were the result of several factors: the reduced role of the sea-related trades in a rapidly industrializing nation; dramatic postwar population growth in the United States, which led to a rise in tourism and second-home development along the Maine coast; the construction of new houses that were architecturally incompatible with the town’s older buildings; and the cutting down of trees and the plowing up of fields to accommodate that growth. In 1894, Jewett looked back on the changes in Maine since the Civil War, and lamented thattradition and time-honored custom were to be swept away together by the irresistible current. Character and architecture seemed to lose individuality and distinction. The new riches of the country were seldom very well spent in those days; the money that the tourist or summer citizen left behind him was apt to be used to sweep away the quaint houses, the roadside thicket, the shady woodland, that had lured him first. . . . It will remain for later generations to make amends for the sad use of riches after the war, for our injury of what we inherited, for the irreparable loss of certain ancient buildings which would have been twice as interesting in the next century as we are just beginning to be wise enough to think them in this (quoted in Blanchard, p. 82).That in her fiction Jewett tended to overlook—and to condemn in her letters and diaries—this “progress” suggests that the author possessed a powerful psychological connection to her own childhood—manifested in her fascination with preindustrial Maine and its traditional culture. According to biographer Paula Blanchard, Jewett retained her sense of wonder well into her adulthood:The sense of seeing everyone and everything with a fresh eye, the playfulness, the absolute honesty and lack of pretense that we associate with the characteristic Jewett style, all belong to her childhood self and are typical of the voice heard in the earliest available letters and diaries. Simplicity is the very essence of the Jewett persona; and while she matured intellectually and deepened emotionally in the normal course of events, her ability always to remain surprised by the world around her was inseparable from her ability to re-create it (Blanchard, p. 45).One possible biographical explanation for Jewett’s idealization of her childhood world during her early adulthood is that her beloved father was ill through much of the 1870s (he died in 1878). In all probability, her memory of her father was integrally associated with the less chaotic (if economically marginal) prewar era when “poor but proud” rural Maine folk—from her romanticized perspective—maintained a hardscrabble yet affirming existence in an ongoing communion with the land and with the sea. Such an attitude, of course, reflected the literary and philosophical influence of early-nineteenth-century English Romantics as reinterpreted by mid-nineteenth-century New England Transcendentalists. Certainly, some of Jewett’s work (most memorably inThe Country of the Pointed Firs) evinces a mystical bond between humans and nature—a bond that Jewett herself deeply felt.
ISBN: 1593082622
ISBN13: 9781593082628
Author: Sarah Orne Jewett
Publisher: Barnes & Noble Classics
Format: Paperback
PublicationDate: 2005-04-25
Language: English
PageCount: 416
Dimensions: 5.19 x 1.04 x 8.0 inches
Weight: 10.4 ounces
From Ted Olson’s Introduction toThe Country of the Pointed Firs and Selected Short FictionJewett’s representation of Maine in her fictional works does not fully reflect that she was well aware her childhood home place had been dramatically changed by economic and social forces wrought by the post–Civil War prosperity. By the late 1870s, while Jewett was gaining national attention through her publications, South Berwick was, as the author stated in a letter, “growing and flourishing in a way that breaks my heart” (Blanchard,Sarah Orne Jewett: Her World and Her Work, p. 43). The changes in South Berwick were the result of several factors: the reduced role of the sea-related trades in a rapidly industrializing nation; dramatic postwar population growth in the United States, which led to a rise in tourism and second-home development along the Maine coast; the construction of new houses that were architecturally incompatible with the town’s older buildings; and the cutting down of trees and the plowing up of fields to accommodate that growth. In 1894, Jewett looked back on the changes in Maine since the Civil War, and lamented thattradition and time-honored custom were to be swept away together by the irresistible current. Character and architecture seemed to lose individuality and distinction. The new riches of the country were seldom very well spent in those days; the money that the tourist or summer citizen left behind him was apt to be used to sweep away the quaint houses, the roadside thicket, the shady woodland, that had lured him first. . . . It will remain for later generations to make amends for the sad use of riches after the war, for our injury of what we inherited, for the irreparable loss of certain ancient buildings which would have been twice as interesting in the next century as we are just beginning to be wise enough to think them in this (quoted in Blanchard, p. 82).That in her fiction Jewett tended to overlook—and to condemn in her letters and diaries—this “progress” suggests that the author possessed a powerful psychological connection to her own childhood—manifested in her fascination with preindustrial Maine and its traditional culture. According to biographer Paula Blanchard, Jewett retained her sense of wonder well into her adulthood:The sense of seeing everyone and everything with a fresh eye, the playfulness, the absolute honesty and lack of pretense that we associate with the characteristic Jewett style, all belong to her childhood self and are typical of the voice heard in the earliest available letters and diaries. Simplicity is the very essence of the Jewett persona; and while she matured intellectually and deepened emotionally in the normal course of events, her ability always to remain surprised by the world around her was inseparable from her ability to re-create it (Blanchard, p. 45).One possible biographical explanation for Jewett’s idealization of her childhood world during her early adulthood is that her beloved father was ill through much of the 1870s (he died in 1878). In all probability, her memory of her father was integrally associated with the less chaotic (if economically marginal) prewar era when “poor but proud” rural Maine folk—from her romanticized perspective—maintained a hardscrabble yet affirming existence in an ongoing communion with the land and with the sea. Such an attitude, of course, reflected the literary and philosophical influence of early-nineteenth-century English Romantics as reinterpreted by mid-nineteenth-century New England Transcendentalists. Certainly, some of Jewett’s work (most memorably inThe Country of the Pointed Firs) evinces a mystical bond between humans and nature—a bond that Jewett herself deeply felt.

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  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

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Shipping method varies depending on what is being shipped.  

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To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

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  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

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Overview
From Ted Olson’s Introduction toThe Country of the Pointed Firs and Selected Short FictionJewett’s representation of Maine in her fictional works does not fully reflect that she was well aware her childhood home place had been dramatically changed by economic and social forces wrought by the post–Civil War prosperity. By the late 1870s, while Jewett was gaining national attention through her publications, South Berwick was, as the author stated in a letter, “growing and flourishing in a way that breaks my heart” (Blanchard,Sarah Orne Jewett: Her World and Her Work, p. 43). The changes in South Berwick were the result of several factors: the reduced role of the sea-related trades in a rapidly industrializing nation; dramatic postwar population growth in the United States, which led to a rise in tourism and second-home development along the Maine coast; the construction of new houses that were architecturally incompatible with the town’s older buildings; and the cutting down of trees and the plowing up of fields to accommodate that growth. In 1894, Jewett looked back on the changes in Maine since the Civil War, and lamented thattradition and time-honored custom were to be swept away together by the irresistible current. Character and architecture seemed to lose individuality and distinction. The new riches of the country were seldom very well spent in those days; the money that the tourist or summer citizen left behind him was apt to be used to sweep away the quaint houses, the roadside thicket, the shady woodland, that had lured him first. . . . It will remain for later generations to make amends for the sad use of riches after the war, for our injury of what we inherited, for the irreparable loss of certain ancient buildings which would have been twice as interesting in the next century as we are just beginning to be wise enough to think them in this (quoted in Blanchard, p. 82).That in her fiction Jewett tended to overlook—and to condemn in her letters and diaries—this “progress” suggests that the author possessed a powerful psychological connection to her own childhood—manifested in her fascination with preindustrial Maine and its traditional culture. According to biographer Paula Blanchard, Jewett retained her sense of wonder well into her adulthood:The sense of seeing everyone and everything with a fresh eye, the playfulness, the absolute honesty and lack of pretense that we associate with the characteristic Jewett style, all belong to her childhood self and are typical of the voice heard in the earliest available letters and diaries. Simplicity is the very essence of the Jewett persona; and while she matured intellectually and deepened emotionally in the normal course of events, her ability always to remain surprised by the world around her was inseparable from her ability to re-create it (Blanchard, p. 45).One possible biographical explanation for Jewett’s idealization of her childhood world during her early adulthood is that her beloved father was ill through much of the 1870s (he died in 1878). In all probability, her memory of her father was integrally associated with the less chaotic (if economically marginal) prewar era when “poor but proud” rural Maine folk—from her romanticized perspective—maintained a hardscrabble yet affirming existence in an ongoing communion with the land and with the sea. Such an attitude, of course, reflected the literary and philosophical influence of early-nineteenth-century English Romantics as reinterpreted by mid-nineteenth-century New England Transcendentalists. Certainly, some of Jewett’s work (most memorably inThe Country of the Pointed Firs) evinces a mystical bond between humans and nature—a bond that Jewett herself deeply felt.
ISBN: 1593082622
ISBN13: 9781593082628
Author: Sarah Orne Jewett
Publisher: Barnes & Noble Classics
Format: Paperback
PublicationDate: 2005-04-25
Language: English
PageCount: 416
Dimensions: 5.19 x 1.04 x 8.0 inches
Weight: 10.4 ounces
From Ted Olson’s Introduction toThe Country of the Pointed Firs and Selected Short FictionJewett’s representation of Maine in her fictional works does not fully reflect that she was well aware her childhood home place had been dramatically changed by economic and social forces wrought by the post–Civil War prosperity. By the late 1870s, while Jewett was gaining national attention through her publications, South Berwick was, as the author stated in a letter, “growing and flourishing in a way that breaks my heart” (Blanchard,Sarah Orne Jewett: Her World and Her Work, p. 43). The changes in South Berwick were the result of several factors: the reduced role of the sea-related trades in a rapidly industrializing nation; dramatic postwar population growth in the United States, which led to a rise in tourism and second-home development along the Maine coast; the construction of new houses that were architecturally incompatible with the town’s older buildings; and the cutting down of trees and the plowing up of fields to accommodate that growth. In 1894, Jewett looked back on the changes in Maine since the Civil War, and lamented thattradition and time-honored custom were to be swept away together by the irresistible current. Character and architecture seemed to lose individuality and distinction. The new riches of the country were seldom very well spent in those days; the money that the tourist or summer citizen left behind him was apt to be used to sweep away the quaint houses, the roadside thicket, the shady woodland, that had lured him first. . . . It will remain for later generations to make amends for the sad use of riches after the war, for our injury of what we inherited, for the irreparable loss of certain ancient buildings which would have been twice as interesting in the next century as we are just beginning to be wise enough to think them in this (quoted in Blanchard, p. 82).That in her fiction Jewett tended to overlook—and to condemn in her letters and diaries—this “progress” suggests that the author possessed a powerful psychological connection to her own childhood—manifested in her fascination with preindustrial Maine and its traditional culture. According to biographer Paula Blanchard, Jewett retained her sense of wonder well into her adulthood:The sense of seeing everyone and everything with a fresh eye, the playfulness, the absolute honesty and lack of pretense that we associate with the characteristic Jewett style, all belong to her childhood self and are typical of the voice heard in the earliest available letters and diaries. Simplicity is the very essence of the Jewett persona; and while she matured intellectually and deepened emotionally in the normal course of events, her ability always to remain surprised by the world around her was inseparable from her ability to re-create it (Blanchard, p. 45).One possible biographical explanation for Jewett’s idealization of her childhood world during her early adulthood is that her beloved father was ill through much of the 1870s (he died in 1878). In all probability, her memory of her father was integrally associated with the less chaotic (if economically marginal) prewar era when “poor but proud” rural Maine folk—from her romanticized perspective—maintained a hardscrabble yet affirming existence in an ongoing communion with the land and with the sea. Such an attitude, of course, reflected the literary and philosophical influence of early-nineteenth-century English Romantics as reinterpreted by mid-nineteenth-century New England Transcendentalists. Certainly, some of Jewett’s work (most memorably inThe Country of the Pointed Firs) evinces a mystical bond between humans and nature—a bond that Jewett herself deeply felt.

Books - New and Used

The following guidelines apply to books:

  • New: A brand-new copy with cover and original protective wrapping intact. Books with markings of any kind on the cover or pages, books marked as "Bargain" or "Remainder," or with any other labels attached, may not be listed as New condition.
  • Used - Good: All pages and cover are intact (including the dust cover, if applicable). Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
  • Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may but the dust cover may be missing. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable.

Note: Some electronic material access codes are valid only for one user. For this reason, used books, including books listed in the Used – Like New condition, may not come with functional electronic material access codes.

Shipping Fees

  • Stevens Books offers FREE SHIPPING everywhere in the United States for ALL non-book orders, and $3.99 for each book.
  • Packages are shipped from Monday to Friday.
  • No additional fees and charges.

Delivery Times

The usual time for processing an order is 24 hours (1 business day), but may vary depending on the availability of products ordered. This period excludes delivery times, which depend on your geographic location.

Estimated delivery times:

  • Standard Shipping: 5-8 business days
  • Expedited Shipping: 3-5 business days

Shipping method varies depending on what is being shipped.  

Tracking
All orders are shipped with a tracking number. Once your order has left our warehouse, a confirmation e-mail with a tracking number will be sent to you. You will be able to track your package at all times. 

Damaged Parcel
If your package has been delivered in a PO Box, please note that we are not responsible for any damage that may result (consequences of extreme temperatures, theft, etc.). 

If you have any questions regarding shipping or want to know about the status of an order, please contact us or email to support@stevensbooks.com.

You may return most items within 30 days of delivery for a full refund.

To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.

Several types of goods are exempt from being returned. Perishable goods such as food, flowers, newspapers or magazines cannot be returned. We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases.

Additional non-returnable items:

  • Gift cards
  • Downloadable software products
  • Some health and personal care items

To complete your return, we require a tracking number, which shows the items which you already returned to us.
There are certain situations where only partial refunds are granted (if applicable)

  • Book with obvious signs of use
  • CD, DVD, VHS tape, software, video game, cassette tape, or vinyl record that has been opened
  • Any item not in its original condition, is damaged or missing parts for reasons not due to our error
  • Any item that is returned more than 30 days after delivery

Items returned to us as a result of our error will receive a full refund,some returns may be subject to a restocking fee of 7% of the total item price, please contact a customer care team member to see if your return is subject. Returns that arrived on time and were as described are subject to a restocking fee.

Items returned to us that were not the result of our error, including items returned to us due to an invalid or incomplete address, will be refunded the original item price less our standard restocking fees.

If the item is returned to us for any of the following reasons, a 15% restocking fee will be applied to your refund total and you will be asked to pay for return shipping:

  • Item(s) no longer needed or wanted.
  • Item(s) returned to us due to an invalid or incomplete address.
  • Item(s) returned to us that were not a result of our error.

You should expect to receive your refund within four weeks of giving your package to the return shipper, however, in many cases you will receive a refund more quickly. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days).

If you need to return an item, please Contact Us with your order number and details about the product you would like to return. We will respond quickly with instructions for how to return items from your order.


Shipping Cost


We'll pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). In other cases, you will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.

Depending on where you live, the time it may take for your exchanged product to reach you, may vary.

If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.

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